If singing is one of your passions, it is more than likely that you will play with the idea of writing your own songs, if you don't do it now. It is not essential, since you can be a great interpreter and not an author, but many times it does go hand in hand and is most natural. In fact, I increasingly believe that one of our most essential drives as human beings is to create, it may even be number one. Create, not only art or songs, but anything (companies, relationships, projects, systems, applications, life ...) I think it is a fundamental part for which we are in this life. Or rather, one of the most important means to feel fulfilled and fulfilled. In fact, in the end our passage through this world may be just that a creation download lagu.
But although I love to become philosophical my intention here today is another. Offer a practical guide for you to start writing and composing your own songs. Writing songs is something deeply satisfying. I would not dare to consider myself an expert in this field. In fact I am not. And this would not be considered a definitive guide, but rather a guide to help those who are beginning to compose or have that idea in mind and that bug. In the event that you are not new to this, I hope you can get some new and interesting idea to add to your own methodology. Years ago I set out (and I'm pretty stubborn) to learn to write my own songs and finally I made it. Of course, making the road difficult, stressful and not by far the most effective. A path of years. That is why today I want to share with you some ideas and strategies. To save you some headaches. To put you a little in context, I will summarize my story a little about this issue of writing songs. Very young, I dreamed of being a music star (yes, me too). And I think it is a dream of the most legitimate as well as achievable. But like every goal you want to achieve, it requires a way of thinking and acting to achieve it. Well, I had no idea what that way was. And say many blind sticks. My musical knowledge was limited to the solfeo and flute classes I received at school, and they were not taught in a very seductive way. I liked to listen to a lot of music and sing in the shower (well, and everywhere). Something that did not do very well first. My first instrument, apart from the then repudiated flute, was a Casio organ in which you played the Tico Tico and the Guantanamera following some lights. Later I had a bigger keyboard in which I invented wizards of movie soundtracks that I also invented (the only problem is that most of the result was only in my head). But what is said music, knowledge of music, very few. So later, while studying Dramatic Art, I started teaching Modern Piano and Guitar. But it was a strategy not very well thought out or successful. Get to study jazz with the piano and bossanovas with the guitar when you want to compose rock and pop songs it may be in some cases a bad decision. At least that's how it was in mine. Not for the genders themselves, but for the complexity (and for the virtuosity that these professors wanted to instill in me). It took me years to let go of the guitar to achieve the most basic. And with the piano, well, if you put one in front of me, just toying with it (although the good thing is that it was a time when I listened to a lot of jazz). The fact is that I was losing myself in a sea of complexities without understanding or seeing the most basic concepts of music. Why do I tell you this whole story? Simply because you have to know how to focus things clearly and concretely. You have to simplify the processes. In fact you have to simplify everything. Because if not, you get entangled in many ways and get frustrated without getting what you really started looking for. In this case, write your own songs. I never wanted to be a piano or guitar virtuoso. I wanted to sing, get on a stage, and people listen to songs that freak out and make them dream and get excited. Obviously I also wanted those songs to be good and for that I needed extra knowledge, but I couldn't start the house on the roof. Luckily, along with these failed strategies I began to develop others that were more aimed at my main objective. The only thing, that when I did not get to see the intrinsic simplicity of how a popular song works in its foundations, my procedures were a bit ridiculous. Some was as absurd as going note by note on the keyboard creating a melody for a letter I had written. When I think about it, I see it ridiculous, but I must also say that one of my favorite songs came from there even almost fifteen years after that. These strategies, simple and simplified, are what I want to share with you today. I hope you find them useful. (However simple they may seem, do not dismiss them. We are talking about writing popular songs - pop, rock, reggae, rumba, ska, rancheras, - not a Beethoven composition). 9 Steps to Write Own Songs The following steps are not written to be followed in a specific order. Rather they are part of a system and complement each other. 1. Listen to a lot of music and varied. Open your ears the more different music you listen to, your more creations can be impregnated with originality and authenticity. Exit the formula radio. There is an infinite flow of music in the world to satisfy your ears and incidentally train them. Your sound life will be much richer and your own songs will benefit from it. If you still don't care about the originality of your songs and simply want to make songs like the ones heard every day on conventional radios, I won't tell you no. I will not be the one to tell you to listen to "Jazz and Bosanova". It is your creation. Even so, the more music you listen to, the more ideas, possibilities and paths your ears will have. And your brain 2. Lee. Above all poetry and song lyrics. Soak up Study the loudness of words. Read in loud voice. Learn to enjoy the sound of words. Enjoy the conjugation of different words, of the images that are created. Look closely at what expressions or words are repeated in the songs to constantly re-engage the listener, usually in the choruses. And, very important, the next point. 3. Analyze the structure of your favorite songs. Study how your idols organize their songs. It is not very complicated. But so you will have a template to facilitate your work. 4. Write, write, and write. How do you learn to sing? Centeno. How do you learn to run? Running. How do you learn to write? Writing. Then you can sophisticate your learning in many ways (and in fact it is more than recommended), but you have to know not to lose the north and focus on doing just "what" you want to learn. Take notebooks with you, or the magnificent application of Evernote on your mobile, and write everything you can, everywhere. Or at least in your house. Make free writing and write also pretending to write songs. Don't judge yourself, just do it. And reread it later you can correct, polish, etc. You may not be interested in writing "big" letters, but honestly, the beauty of a good verse is unparalleled. Although you can write songs in different ways, writing the lyrics first and then playing the music is like I move more easily. But sometimes I also do it the other way around, as I will describe elsewhere. And others, almost magically, music and lyrics come hand in hand. It is very personal. 5. Copy. Yes, copy. I am not talking about plagiarizing a work, but copying, after all, is what we all do constantly. When someone begins to learn any discipline, it is normal to start copying their teacher or their idol. It's natural. They are the references you have and it is a good way to simplify processes. Then there will be time to merge with other sources, create new combinations and include unique ideas in you. For example, look for a song that you like very much on the internet. Search for the chords of that song. Those same chords played your way with a letter from you and your own melody are a new song. It's that simple. Do you know the amount of mythical songs that share exactly the same sequence of chords? But there are many more ways to copy: ways to write, stop singing, ways to arrange songs, rhythms, etc. I do not say much less that you stay there, we do not want to make war of the clones, but it is a very good starting point. 6. Study music, but be careful. It is obvious that to write songs you need to know some music. But how much? It all depends on how far you want to go and the degree of sophistication you want to achieve, BUT (and this is a great but) to start writing popular songs you DO NOT need to get lost in a jungle of knowledge . In fact, it can be very counterproductive, as it was in my case. You have to start the house by the foundations. For example, with 3 or 4 chords and a good letter you can create a masterpiece. Point. It is like that. And I recommend you start there. You can learn some basic chords with a guitar, with a piano or with a ukulele (my last great passion) and start writing songs right from there. Then you can sophisticate everything you want. But start with the most basic. Learn some chords and some rhythms to start with, and as you will see below sometimes you don't even need that. (Then you may be interested in adding to your knowledge some scales, new rhythms, learning to create riffs, knowledge of harmony, tones, etc.). 7. Record your ideas on the go. Always carry a tape recorder with you. Now with mobile phones there is usually no problem. Tom Waits says that the songs are in the air. At any moment they come to you. If you do not catch them and use them they will follow their path and another will do it for you. What sounds so metaphysical is a reality like the crown of a pine. Songs and ideas in general are floating in the air, in this kind of universal consciousness magma or infinite intelligence. And sometimes they knock on your door. It is up to you to channel them or not. If you always have a recorder at hand, when you get inspired, you can always record that first sketch. As it comes out. Do not judge. It can be a humming, a melody, a melody already with lyrics, a sequence of chords, a riff, and in some cases, you may see the song in full. As always, you can come back later and start working and polishing it. But those moments are magical. Sometimes you may be interested in recording a melody in an invented language for later lyrics. I often use a kind of invented English. 8. Think what you want to tell. You don't have to always be clear about what you want to talk about in a song, but it's easier to make a round song if you're already part of a base, of an idea. You may want to communicate an idea, a claim, a complaint, a feeling, an emotion, a concern, a confession, an atmosphere. What you want. It may be transparent and crystalline or you may want to use more cryptic metaphors. Also think who tells the song. You are yourself? A part of you? Another person? The character of a book or a story? Having these things clear gives a direction to the song and an objective, two factors that help in the creation. If you don't know what to tell, write, and whatever comes out. 9. Trust you and your subconscious. Creating is an act of faith. From writing a song to writing this article. You have to believe and trust that you will. And so it is. It is a process that seems magical and wonderful. Sometimes you can even feel more powerful and intelligent than you normally think. It is the power of different mental states. And you have to work to create an optimal state of mind to write your songs. For this it is essential that you do not judge yourself and that you throw perfectionism in the bin? And how is that done? Well, going from those voices and accepting your mediocrity and your clumsiness. The work of exigency, of excellence and of filtering what you are worth and what will not come later. It is a more reflexive process and later. But when you are creating, you must flow into chaos and its imperfections. Allow it. It is wonderful. Feel like a child, a beginner. Even what sometimes, during the creation process seems to you that does not have much level, in a later review it may seem like a great job? And on the contrary, of course.
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